OK, today I have just had my first attempt at making and using limewash, and things have not gone well!
Before starting, I did lots of searching through this forum and got the usual two viewpoints on "lime putty is much better than dry hydrate" and "dry hydrate is fine". So, as I have successfully used dry hydrate on several occasions to make mortar, I decided to have a go with that.
The first problem I had was (following the advice given many times on this forum) that after putting on rubber gloves, a dust mask and safety glasses, I found that as soon as I exhaled my first breath it was diverted by the mask straight in to the safety glasses which instantly streamed up! I tried adjusting the positions several times, but the same thing happened every time. So, honest answers please, I promise I'm not a health and safety inspector, does anybody really wear a mask and safety glasses when mixing hydrate with water? If so presumably it can't be the disposable dust masks that I tried, so what kind do you use?
Anyway, risking life, limb and lungs, I removed the mask and started to mix hydrate into the water until I got a white liquid that looked like milk (as described in posts on this forum). I'm using this indoors to paint on a lime plastered surface so I decided not to add any linseed oil or anything else as this seemed to be the consensus of opinion.
I then left it to rest for a few hours and stirred again before use. I sprayed the plaster surface with water, and used a brush with stiffer bristles than I would normally choose for modern emulsion. Well, trying to paint a ceiling with something the consistency of milk is quite a challenge! The limewash is not viscous enough to stay in the bristles of the brush when held upside down and a large amount of it was soon running down the handle of the brush and my arm! So, basically painting something this consistency on a ceiling doesn't seem to be realistically viable unless I've missed something. Any suggestions please as to where I am going wrong?
I have also tried a small patch with a much thicker mix of limewash, more like double cream than milk and this did seem to apply much better. But various posts suggest that this will either not adhere correctly or will crack as it dries. Again, any knowledgeable opinions would be very welcome please?
One positive note to end on though is that Osmo can add limewash to the list of things their oil can withstand. The many drips of limewash have wiped off the floor without leaving a single mark.
Before starting, I did lots of searching through this forum and got the usual two viewpoints on "lime putty is much better than dry hydrate" and "dry hydrate is fine". So, as I have successfully used dry hydrate on several occasions to make mortar, I decided to have a go with that.
The first problem I had was (following the advice given many times on this forum) that after putting on rubber gloves, a dust mask and safety glasses, I found that as soon as I exhaled my first breath it was diverted by the mask straight in to the safety glasses which instantly streamed up! I tried adjusting the positions several times, but the same thing happened every time. So, honest answers please, I promise I'm not a health and safety inspector, does anybody really wear a mask and safety glasses when mixing hydrate with water? If so presumably it can't be the disposable dust masks that I tried, so what kind do you use?
Anyway, risking life, limb and lungs, I removed the mask and started to mix hydrate into the water until I got a white liquid that looked like milk (as described in posts on this forum). I'm using this indoors to paint on a lime plastered surface so I decided not to add any linseed oil or anything else as this seemed to be the consensus of opinion.
I then left it to rest for a few hours and stirred again before use. I sprayed the plaster surface with water, and used a brush with stiffer bristles than I would normally choose for modern emulsion. Well, trying to paint a ceiling with something the consistency of milk is quite a challenge! The limewash is not viscous enough to stay in the bristles of the brush when held upside down and a large amount of it was soon running down the handle of the brush and my arm! So, basically painting something this consistency on a ceiling doesn't seem to be realistically viable unless I've missed something. Any suggestions please as to where I am going wrong?
I have also tried a small patch with a much thicker mix of limewash, more like double cream than milk and this did seem to apply much better. But various posts suggest that this will either not adhere correctly or will crack as it dries. Again, any knowledgeable opinions would be very welcome please?
One positive note to end on though is that Osmo can add limewash to the list of things their oil can withstand. The many drips of limewash have wiped off the floor without leaving a single mark.